LESSON 2
7.
When tilting the easel to correct for distortion during printing, in
what condition must the lens aperture be?
a.
Wide open to correct for light loss
b.
Wide open to maintain depth of field
c.
Closed down to decrease light intensity
d.
Closed down to maintain depth of field
8.
Generally, what is the emulsion best suited for chemical toning?
a.
Bromide
b.
Chloride
c.
Chlorobromide
d.
None of the above
9.
When mounting prints for display, what is the primary objective?
a.
An
essential aspect of the process
b.
To
make the photographer look very good
c.
To
mount the print on attractive cardstock
d.
To
show the print to its best advantage
10.
How should dry mounting tissue be fastened to the back of the print?
a.
By applying drops of glue at one or more points
b.
By applying a hot "tacking iron" at one or more points
c.
By gluing the borders securely to the print on all sides
d.
None of the above
You should now be familiar with the spotting, mounting, and toning of
photographic prints. If there is any area you are not sure of, go over it
again. If you feel competent of your knowledge of the material, go on to
Lesson 3.
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